As the sultry and mysteriously troubled Tatlock, she shimmies into view at a party, making eyes at Oppenheimer and purring about communism. The critically acclaimed actor, who’s delivered unforgettable performances in everything from Lady Macbeth to Midsommar, and has been on the verge of an Oscar win ever since her scene-stealing turn in Little Women, is here given her most inconsequential role in years. However, this is much more than what Pugh is afforded. But then again, even in this virtuosic scene, her value lies wholly in the fact that she’s an asset to Oppenheimer someone who serves him effectively in this moment and someone we still know so little about. Blunt is dazzling as ever and, for a second, you forget that Kitty has been entirely sidelined for the past two and a half hours. Yes, there are more erratic sequences of her shouting and smashing glass, but also one in which she testifies at Oppenheimer’s hearing, running circles around the men who seek to trap her. It’s in the film’s final act, though, that Blunt gets some space to shine. And then there’s Dunkirk which, of course, has no named female characters at all.

Beyond that, however, it’s a veritable wasteland of dead wives who serve to motivate the male leads (Jorja Fox in Memento, Piper Perabo and Rebecca Hall in The Prestige, Marion Cotillard in Inception, Matthew McConaughey’s character’s wife in Interstellar) dead love interests (Lucy Russell in Following, Maggie Gyllenhaal in The Dark Knight) murdered teenage girls (Crystal Lowe in Insomnia) women desperately in need of rescuing (Katie Holmes in Batman Begins, Elizabeth Debicki in Tenet) dead villains (Marion Cotillard in The Dark Knight Rises, Dimple Kapadia in Tenet) and peppy sidekicks (Hilary Swank in Insomnia, Scarlett Johansson in The Prestige, Elliot Page in Inception, Anne Hathaway in The Dark Knight Rises). There are arguably a couple of exceptions-perhaps Anne Hathaway and Jessica Chastain’s NASA scientists in Interstellar, though they, too, are largely defined by their relationships with the men in the film. However, these thrills are almost always accompanied by what I consider to be the auteur’s Achilles heel: namely, a penchant for populating his films with severely under-developed female characters. From The Prestige to The Dark Knight, Inception to Dunkirk, I can never resist his particular brand of steely, high-concept blockbusters-their knotty plots, epic cinematography, thundering scores, sleek interiors, and mysterious and tortured protagonists. The Information Commissioner's Officeestimated that around 1.4 million under-13s in the UK were routinely using TikTok - despite its rules stating that you must be 13 or over to create an account.Let me begin by saying that I worship at the altar of Christopher Nolan.

In April the company was fined £12.7m for breaches of data protection law, including using the personal data of children aged under 13 without parental consent. TikTok's owner, Chinese internet company ByteDance, has denied sharing data with officials in Beijing. The app has also faced growing criticism and concern among western governments in recent years over its alleged links to the Chinese government, leading to the platform being banned on government devices in Australia, Canada, the EU and the UK. A further 16% said they found it 'too upsetting'. In contrast, TikTok has seen a 'significant' increase in popularity as a news source and is now used by 10% of adults for the purpose - up from just 1% in 2020.ĭespite the rise of TikTok, 45% of 12 to 15-year-olds said they were not interested in the news - with almost half saying they found it 'too boring'.

However, it is showing signs of decline after reaching only 30% of adults in the last year - down from 35% in 2019, Ofcom said. Across all age groups, Facebook continues to be the most used social media platform for accessing news.

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